12/07/2026
This apparently took Barbra (she changed her name from ‘Barbara’ to stand out and has spent her life removing the ‘a’) 10 years to write and I won’t be the first to say (I’ve checked) that it felt like it might take 10 years to finish it.
In print it’s 1000 pages, in audio (which she reads and to which I listened) it runs to 48 hours. I started it on hols last year and to finish it has been a feat of dipping-in-and-out concentration, although she does read it very well, despite what seem ad lib tangents to lengthen it still more.
As with pretty much all showbiz and other celeb autobiogs, it’s the before-they-made-it which is both most interesting and entertaining. A girl from Brooklyn with a heck of a voice, she started in New York nightclubs, had the proverbial bit-part in a Broadway show in which she became the stand-out future star.
I didn’t know that she met first husband Elliot Gould in that show and that he, too was a struggling hoofer who made it in the movies. As she did, when ‘Funny Girl’ went from stage to screen. I remember seeing both that and her other early-breaker, ‘Hello Dolly’ at the Astoria in Purley with Mum (big musical fan) in the ’60s, so both have special places.
As we move to life as a star, for me it’s more a list of names and problems. And why is it so long? Because, my goodness, the detail is overpowering - her diaries must have run to volumes, or maybe she has an amazing memory or imagination. There’s no need, it’s self-indulgence and her editor should have been firm.
Same applies to you, Robert Galbraith aka JK Rowling. The latest ‘Strike’, at 31 hours, has been sitting in my ‘Audible’ inbox for some months. Will keep you posted.